As 2022 comes to a close, it becomes a time for reflection – and so Radio Bristol would like to take the opportunity to look back at some of the releases that made this past year memorable on the music front. This year saw releases from many great artists, including some heavy hitters like Billy Strings and Tyler Childers, and many breakout artists like Adeem the Artist, Miko Marks, and more. With so many great releases this year, it’s tough to narrow it down, but here are just a few of our recommendations for some of this year’s standout releases. As always, if you tune into Radio Bristol you’re sure to hear all these artists regularly spinning on our airwaves!
49 Winchester // Fortune Favors the Bold
The boot-scuffing barstool ballads of 49 Winchester’s fourth studio album, Fortune Favors the Bold, has landed the band national acclaim and the mega fandom of country music superstars such as Luke Combs. A festival favorite at Bristol Rhythm & Roots Reunion, the Russell County, Virginia natives have gone from playing small venues on Bristol’s State Street to selling out theaters across the country.
Composed of high school buddies who grew up together in nearby Castlewood, Virginia, 49 Winchester’s newest release relates genuine downhome grit with dang-good storytelling, showcasing the group’s infectious Southern rock-infused brand of Appalachian folk meets country soul.
Leyla McCalla // Breaking the Thermometer (To Hide the Fever)
New Orleans-based multi-instrumentalist Leyla McCalla’s newest album, Breaking the Thermometer, explores her Haitian-American heritage through the troublesome history of Creole-language based Radio Haiti, an independent station that for decades confronted corruption with traditional Creole music. This interdisciplinary project, commissioned by Duke University, also combines storytelling, dance, video projection, and audio recordings from the Radio Haiti Archive which can be viewed during live performances.
Breaking the Thermometer feels like an exuberant analysis of culture, physiological space, and political discourse, with vibrant cello arrangements and emotive organic soundscapes that feel epic in scale and intensity.
The A’s // Fruit
Sylvan Esso’s Amelia Meath and longtime musical collaborator Alexandra Sauser-Monnig teamed up for a new project as The A’s, recently releasing Fruit, an idiosyncratic collection of folk songs that glean inspiration from early country music’s yodeling farm girls, The DeZurik Sisters. Recorded over a two-week stint during balmy summer nights at Sylvan Esso’s Chapel Hill studio “The Betty,” the pair playfully procured songs such as Harry Nilsson “He Needs Me” and traditional ballads like “Swing and Turn Jubilee” and “Copper Kettle” with endearing whimsy and hair-raising vocal harmonies.
The clarity of their voices peppered amidst a capella and thoughtfully accompanied atmospheric tracks create a glowing sense of intimacy, harkening back to early American field recordings, while sounding ultra contemporary. A perfect choice for a rainy day or a sun dappled picnic!
Brennen Leigh// Obsessed with the West
Brennen Leigh’s collaborative Western swing-inspired record Obsessed with the West hit the vintage vibes music lover’s scene with a punch. Produced by Ray Benson, whose legendary band Asleep at the Wheel also backed Leigh on the recording, this album is a grand excursion into a well-loved subgenre of country music. Punctuated by 1940s jump blues, folk cowboy balladry, and jazz-infused country, the tracks read like a love note addressed to the austere beauty of the Western plains. Nashville by-way-of Austin, Texas-based singer Leigh’s voice sways across the rollicking big band like a silk cloud of sawdust with a mellow swagger that feels effortlessly cool.
Charlie Crockett // Man from Waco
Charlie Crockett, the record-slinging Texan with an ever-expanding discography of retro-tinged Americana gold, has now become one of the most popular artists in independent country. Crockett is currently landing in a new stratosphere for roots musicians dominating the independent Americana radio with the #1 album and #1 song on the release of Man from Waco.
Man From Waco is a loosely conceptualized project with a theme song that both introduces and closes the album, drawing its inspiration from legendary country music singer James Hand. Mostly recorded live by Crockett and his band The Blue Drifters,’ this new album solidifies Crockett’s monstrous talent and incredible ability to turn out top grade recordings.
Swimming through multiple genres – including funk, R&B, soul, Tex-Mex, Western swing, folk, and traditional country – Crockett treads water through uncharted territories with an easy grin, maintaining his authentic aww-shucks attitude and relaxed cowboy charm though vulnerable lyrics.
Willie Carlisle // Peculiar, Missouri
Peculiar, Missouri, Willi Carlisle’s newest release on Free Dirt Records, further authenticates the rising songwriter’s rare talent for storytelling. Packed full of poetic grit and intimate ruminations on the human condition, Carlisle’s musical performance feels like Allen Ginsburg and Utah Phillps bore a folkster lovechild with a voracious proclivity for personal truth.
This album acts as a stylistic barometer of American folk music, with flashes of honky tonk on the socially-aware single “Vanlife,” Tejano-on-Cowboy border ballad “Este Mundo,” and talking blues on the title track – an anxious Guthrie-esque account of an existential “come apart” in the Walmart cosmetic aisle. Every so often Carlisle releases a tremulous yawp amidst impossibly witty lyrics like a reflexive revolt against the absurdity of existence; his voice feels like something familiar and something wholly new that we’ve never heard before.
Tyler Childers // Can I Take My Hounds to Heaven?
Liberator of free thought in country songwriting the Kentucky poet Tyler Childers’ triple-LP Can I Take My Hounds to Heaven? is a complex celebration of traditional Appalachian religious music, offering social commentary with an ecumenical scope. The album’s eight tracks are imagined in three different arrangements – the “Hallelujah” version, which has an unadorned “live” feel; the “Jubilee” version, which has more of the production you’d expect from a country music recording, and a “Joyful Noise” version, which seems to delve into the energetic essence of each song though electronic remixes and auditory environments with sound bites from artists such as Jean Ritchie and country comedian Jerry Clower.
Deeply divisional for fans of Childers’ more acoustic releases, Can I Take My Hounds to Heaven? is striking for its imaginative qualities and Childers’ uninhibited sonic journey through nostalgia, spirituality, and contemporary awareness.
S. G. Goodman // Teeth Marks
Western Kentucky-based songsmith, S. G. Goodman made an indelible mark on southern music with their debut album Old-Time Feeling in 2020; its pensive production and self-aware lyricism caught the attention of major music industry players, such as Tyler Childers who recently covered the single “Space and Time.”
Now the queer-identified farmer’s daughter who grew up near the banks of the Mississippi River is carving a place as a rising voice in new-south roots rock on Teeth Marks. Enveloped by surging post-punk meets 1960s southern rock reverb clad guitar, Goodman’s achy voice quavers like an exposed nerve with acute realizations that stem from a progressive rural consciousness, making this album easily one of most intriguing releases of the year.
Melissa Carper // Ramblin’ Soul
For the second year in a row, we have to include Austin-based stand-up bassist Melissa Carper’s and her latest recording Ramblin’ Soul. With a similar recipe that created her beloved Daddy’s Country Gold in 2021, Carper’s newest collection of songs was also recorded at the Bomb Shelter in Nashville, Tennessee. Produced by Andrija Tokic and Dennis Crouch of The Time Jumpers, Ramblin’ Soul definitely has a healthy helping of that extra special sauce that has made Carper become a stand out artist on the Americana charts.
With an alluring varnish of vintage tone, Carper masterfully encapsulates a multitude of classic American sounds with glimmers of Western swing, rhythm and blues, country, soul, jazz, and folk, that both sound impressively authentic to the era, and gratifyingly pleasant to hear. This is definitely an album you can put on without skipping a track, perfect for cooking up a mess of biscuits with Caper’s blissful Billie Holiday by way of Loretta Lynn-sque vocals simmering on the backburner.
Vaden Landers // Lock the Door
We would be remiss to not include a local release on this list. East Tennessee native and Bristol resident Vaden Landers envisions traditional country music through a lens made razor sharp by countless performances at dive bars and regional venues, with an undeniable finesse that can only be gained through road-worn experience.
You may have caught Landers performing at Bristol Rhythm & Roots Reunion this year or at State Street’s Cascade Draft House where he and his band – The Hot n’ Ready String Band – played a weekly residency this summer. As a rising purveyor of irrefutable country music, Landers’ newest release on Hill House Records has masterful production, calling to mind the golden era of country music production in the mid-1950s known as The Nashville Sound. Produced at The Bomb Shelter by Andrija Tokic and John James Tourville, the 12 tracks on Lock the Door relay songs of love, heartbreak, and hard living, while Landers’ satisfyingly raspy twang summersaults and yodels across old-school sounding lyrics. No doubt borrowing vocal techniques from country greats such as George Jones and Johnny Paycheck, the album feels like a country fan’s daydream. At Radio Bristol we’ve been spinning this album in heavy rotation and think it’s well worth the listen!