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Advocacy Means Action: Help Protect Museums and Libraries Today

By Erika Barker, Curatorial Manager at the Birthplace of Country Music Museum. Featured image of Erika on Capitol Hill for AAM’s 2025 Museum Advocacy Day.

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What is Advocacy? 

As various political and social issues continue to flood our feeds on social media, one word often stands out. Advocate. Everyone seems to want to identify as an advocate or encourage others to advocate for something. But what is advocacy, and why would someone even want to do that? 

According to the Merriam-Webster Dictionary, advocacy is the act or process of supporting a cause or proposal. And this can be any cause! You can advocate at home for more equitable treatment from your parents, or at work for better workplace policies for you and your coworkers, or for national issues that are important to you or your loved ones. 

To be an effective advocate, though, strategic action is important – from learning about the issue and speaking up about it to friends, family, and your networks to sharing your views with your political representatives and getting involved with organizations who are supporting or working toward meaningful change related to the issue. In other words, it is more than just a desire to make changes; it is also about the action behind that desire.

Group of museum and arts advocates with Virginia State Senator Todd Pillion

What does this have to do with museums? 

Just like any other industry there are causes and concerns that affect all museums. Organizations like the Tennessee Association of Museums (TAM), and the Virginia Association of Museums (VAM) have annual advocacy days at the state level. The American Alliance of Museums (AAM) organizes their annual Museums Advocacy Day each February where museum professionals from across the country gather at Capitol Hill to advocate together at the national level. The American Association for State and Local History (AASLH) shares advocacy updates with its members and participates in a variety of advocacy events at the state and national level. The American Library Association (ALA) also published this helpful FAQ about the Executive Order. All of these organizations – along with many others – help distribute information and make resources available to all museums and their supporters so that anyone can help advocate on behalf of their favorite museum!

Group of Museum professionals from the Virginia Association of Museums in the Senate building.
Group of Museum professionals from the Virginia Association of Museums in the Senate building.

Why does this matter right now? 

On March 14, President Trump issued an Executive Order calling for the elimination of the Institute of Museums and Library Services (IMLS). This federal agency – the only one dedicated to directly supporting American museums and libraries – does a huge amount of good for museums and libraries across the country, especially ones located in small or rural communities like ours. 

Did you know that there are more museums in America than McDonalds and Starbucks combined? It shows just how much Americans love museums! Museums generate more than $50 billion dollars and support 726,000 jobs – they are definitely a good thing for our economy, not to mention our state of mind. And museums and libraries across the United States are hugely valued by their communities – they provide accessible educational resources; offer a wide range of programs, trainings, and workshops; preserve local and national history; partner with other organizations to serve their audiences; and so much more. The American Alliance of Museums shares many more facts about museums’ impact on American communities; you can also check out the American Library Association for more information on libraries and their impact.

IMLS funding is central to museums and libraries, and to the ways that they serve their communities. IMLS’s budget makes up only 0.0046% of the federal budget (that is less than $1 per taxpayer each year), and they use that money to provide grant support and resources to museums and libraries on a variety of levels. On both sides of the political spectrum, museums are valued as educational and cultural resources. Research shows that 96% of Americans want to maintain or increase federal funding for museums and approve of lawmakers who act to support museums. 

Group of museum and arts advocates with Virginia State Delegate Israel O’Quinn

The Birthplace of Country Music Museum received an IMLS grant in 2021–2022, specifically targeted at helping institutions like ours recover from the pandemic.  The grant provided support for educational training for our museum docents (the people who lead tours), disaster training (to make sure all our staff and volunteers know how to respond during a disaster so we can keep our visitors and collections safe), and a wide range of professional development opportunities for our curatorial team. The benefits of the classes, webinars, training courses, and conferences we attended – and the partnerships we forged through these opportunities – are still being felt today. None of that would have been possible without the IMLS grant.

We also participate in Museums for All – an initiative of IMLS, administered by the Association of Children’s Museums. This program makes it possible for more than 1,400 museums to offer free or reduced cost admission for those receiving food assistance (SNAP benefits) simply by presenting their EBT or WIC cards and a photo ID. Taking part in this program means that we can make our museum more accessible and welcoming to people of all socio-economic backgrounds. 

 

BCMM’S Director of Community and Government Relations Leah Ross with Caren Merrick the Secretary of Commerce and Trade for the Commonwealth of Virginia

 

Advocacy vs. Lobbying: What’s the Difference?

Advocacy is about raising awareness, educating the public – including elected officials, and encouraging civic engagement on important issues—like speaking out to protect IMLS funding. Lobbying, on the other hand, involves directly influencing legislation by asking elected officials to vote for or against a specific bill. While nonprofits lille ours can advocate freely, lobbying has legal limitations depending on the organization’s status. By reaching out to your representatives and sharing why IMLS and BCMM matter, you are engaging in advocacy, not lobbying.

Group of people sitting in various chairs in a formal office setting.
Group of arts advocates in Tennessee State Representative Timothy Hill

Okay, so what can I do to help? 

Without funding from agencies like IMLS our ability to serve our community will be directly impacted. And therefore, now we need YOUR help to take URGENT ACTION as an advocate for museums and libraries!  

There is a letter being circulated to members of the House of Representatives this week asking the Administration to reconsider the executive order that would gut IMLS funding. The deadline for members of Congress to sign onto the letter is tomorrow, Friday, March 28. With the deadline fast approaching, a phone call would be the most effective way to reach your representative. HERE is a call template specifically asking representatives to sign the letter!

After taking that specific action, the best way to advocate is to continue to reach out to your representatives – via phone call, email, or letter – and tell them why something is important to you. The more we share our thoughts and views with elected officials, the more likely they are to act. 

  • Call your members of Congress. Find their phone numbers and a draft script for supporting museums HERE.
  • Write to your members of Congress. Get started with the AAM template letter HERE and PERSONALIZE it with your stories! These emails have significantly more impact when you customize them and tell YOUR story to YOUR elected officials. 

Personal stories go a long way! When you talk to your representatives, be sure to tell them why museums and libraries matter to you specifically. How have you benefited from museums and libraries? How does your community benefit from these institutions? What resources or educational programs have you participated in at your local museum or library? And so much more! The calls and email templates are great, but they have way more impact when you customize them and tell YOUR story to YOUR elected officials. Social media can also be a great way to let people know about issues you care about and encourage them to advocate with you. 

BCMM’S Director of Community and Government Relations Leah Ross with Virginia Governor Glenn Youngkin.

Finally, keep an eye out for future opportunities to advocate for museums! It is possible that related federal agencies upon which museums rely for funding (such as the National Endowment for the Humanities (NEH) and the National Endowment for the Arts (NEA)), and by extension the state agencies who administer pass-through grants from these agencies – will be affected by similar proposed cuts in the future. If you see news about this, reach out to your senators and representatives again, and help keep museums and libraries central to our communities!

Spook Season: Graveyard Hunts for Bristol Sessions Artists

By Julia Underkoffler, Collection Specialist at the Birthplace of Country Music Museum

Happy spooky season! This time of year, many people seek out ghost tours and other spooky adventures, many of which take place in cemeteries. People who visit cemeteries for specific or unique tombstones are called “tombstone tourists.” But did you know you can also learn a lot about history in a cemetery? 

Originally founded by Jim Tipton in 1995 to document where famous people were buried, Find a Grave soon opened up to allow a passionate online community to document, recover, and preserve the history held in cemeteries worldwide. Over 250 million graves have now been documented. Anyone can create an account to contribute to this open resource! You can also build “virtual cemeteries” with collections of gravesites from different cemeteries. I have done one for my ancestors on both sides of my family tree and one for the 1927 Bristol Sessions!

So far, there are 43 members in the Bristol Sessions Virtual Cemetery and graves in 7 different states – Virginia, Tennessee, Kentucky, West Virginia, Mississippi, New Mexico, and California. As you explore the cemetery, you will notice that most of the artist’s gravestones are not particularly ornate; they are just simple markers, and some are not marked at all. Now, let’s explore exactly where the session artists are buried!

Large marble statue of a woman standing on a casket in the center of a garden.
Image of Peer’s resting place was added to Findagrave.com by Gardens of Memory841.
  • Ralph Peer
    • Buried next to his wife Monique, who accompanied him on his Bristol Sessions trip, in Forest Lawn Cemetery in Glendale, California. 
  • Ernest “Pop” Stoneman and his wife Hattie 
  • The Stonemans invited nine of their friends and family members to record with them at the Bristol Sessions. 
    • Pop Stoneman’s older brother George Stoneman
      • Buried in McKenzie Cemetery in Grayson County, Virginia.
    • Hattie’s twin siblings Bolen and Irma Frost
      • Buried in Ballard Cemetery in Galax, Virginia.
    • Kahle and Edna Brewer
      • Buried in Felts Memorial Cemetery in Galax, Virginia. 
    • Iver Edwards
      • Buried in Monta Vista Gardens in Galax, Virginia.
grassy hill with numerous old tombstones.
Image of Old Quaker Cemetery in Pipers Gap, Carroll County, Virginia was added to findagrave.com by Dan.
  • Alexander “Uncle Eck” Dunford  
    • Buried in Old Quaker Cemetery in Pipers Gap, Virginia
  • Ernest Phipps and his Holiness Quartet all stayed near Corbin, Kentucky, and are buried within a four-mile radius of each other.
    • Ernest Phipps and A. G. Baker 
      • Buried in Pine Hill Cemetery in Corbin, Kentucky.
    • Rolan Johnson
      • Buried in Felts Chapel Cemetery in Corbin, Kentucky.
    • Ancil McVay
      • Buried in Rest Haven Cemetery in Corbin, Kentucky.
  • John Preston (J.P.) Nester
    • Buried in Cruise Cemetery in Hillsville, Virginia.
  • Norman Edmonds 
    • Buried in Gardner Memorial Cemetery in Hillsville, Virginia. 
  • The Bull Mountain Moonshiners 
    • Charles M. McReynolds, the grandfather of Jim and Jesse McReynolds
      • Buried in Hazelton Stallard Cemetery in Coeburn, Virginia.
    • William McReynolds  
      • Buried in Hazelton Stallard Cemetery in Coeburn, Virginia.
    • Howard Greear 
      • Buried in the Greear Family Cemetery in Flatwoods, Virginia. 
    • Charles Greear
      • Buried in Greenwood Memorial Gardens located in Coeburn, Virginia.
    • Bill Deane. 
      • The only member of the Bull Mountain Moonshiners I have not yet been able to find is Bill Deane.
Bronze grave marker that says "Mother Maybelle Carter, The First Lady of Country Music. God has picked his wildwood flower."
Image of Maybelle’s resting place was added to findavgrave.com by Randy McCoy.
  • The Carter Family,
    • Alvin Pleasant Carter, and his wife, Sarah
      • Buried in Mount Vernon Methodist Church Cemetery in Hiltons, Virginia, along with their three children,Gladys, Janette, and Joe.
    • Sarah’s cousin, Maybelle Carter
      • Buried in Hendersonville Memory Gardens in Hendersonville, Tennessee, next to her husband (and A.P.’s cousin) Ezra. Their three girls, Helen, June, and Anita, are buried there as well. And yes, June is buried next to Johnny Cash.
  • Two members of The Alcoa Quartet are buried in cemeteries that are about five miles from each other. I have been unable to identify stones for the other two members, the brothers John Edgar and James Herbert Thomas. 
    • William Burrell Hitch
      • Buried in Mount Lebanon Cemetery in Maryville, Tennessee 
    • John Leonard “Lennie” Wells.
      • Buried in Grandview Cemetery in Maryville, Tennessee.
  • The Shelor Family stayed in the Meadows of Dan area and were buried in cemeteries about three miles from each other. 
    • Joe Blackard
      • Buried in the Joseph Blackard Cemetery in Meadows of Dan, Virginia.
    • Joe’s daughter Clarice, her husband Jesse, and Jesse’s brother Pyrhus are all buried in the Meadows of Dan Baptist Church Cemetery in Meadows of Dan, Virginia. 
  • Couple James Whiley and Flora Baker are buried in Baker Cemetery in Dungannon, Virginia.
  • Red Snodgrass and His Alabamians
    • Thomas P. Snodgrass and his brother Ralph Campbell Snodgrass are buried in Sunset Memorial Park in Albuquerque, New Mexico. 
Large headstone with the word "Rodgers" in the middle. with a pot of white flowers and a guitar laid in front.
Image of Jimmie Rodgers resting place was added to findagrave.com by Gregory Leonard Watson.
  • Jimmie Rodgers 
    • Buried in Oak Grove Baptist Church Cemetery in Meridian, Mississippi.
  • Tenneva Ramblers
    • I believe I have found Jack Pierce (Shelby Hills Cemetery) and Claude Slagle (East Hill Cemetery) in Bristol, Tennessee. However, I have not yet been able to locate Jack’s brother Claude or James “Jack” Grant. Except for Jimmy Rodgers, The Jimmie Rodgers Entertainers (soon to be called the Tenneva Ramblers) were all from Bristol. A chance visit to their hometown gave this Asheville-based band an opportunity to audition for the Bristol Sessions.
  • The West Virginia Coon Hunters 
    • Wesley’ Bane’ Boles 
      • Buried in Zion United Methodist Church Cemetery in Nebo, Virginia, and his place of rest is unmarked.
    • Vernal Vest
      • Buried in Trail Cemetery in Princeton, West Virginia. 
    • Clyde S. Meadows 
      • Buried in Big Run Cemetery in Diana, West Virginia. 
    • It is not easy to say for sure where Joe Stephens and Fred Belcher have been laid to rest. Several possible locations have been identified, but with no birth or death dates to go off of, we can’t say for certain.
  • The Tennessee Mountaineers was a church group of around twenty people from Bluff City, Tennessee. Here is where three of the members I have identified so far are buried:
    • Roy Hobbs, the brother-in-law of A. P. Carter 
      • Buried in Blue Ridge Memorial Gardens in Roanoke, Virginia. 
    • Father and daughter duo George and Georgia Massengill (Warren). At 12 years old, Georgia was the youngest participant in the sessions and the only one still alive when the museum opened in 2014.
      • Buried in Morrell Cemetery in Bluff City, Tennessee.
  • Blind Alfred Reed
    • Buried in Elgood Cemetery in Elgood, Virginia.
  • B. F. Shelton
    • Buried in Corinth Cemetery in Corbin, Kentucky.
  • Alfred Karnes 
    • Buried in McHargue Cemetery in Lily, Kentucky.
  • Henry Whitter
    • No stones have been found using what we believe are Whitter’s birth and death dates. However, it is not uncommon for the dates on older graves to be slightly off, and this stone, located in Eden Cemetery in Summerset, Kentucky, is assumed to be Whitter’s most likely resting place.
Image of Whitter’s resting place was added to findagrave.com by NashvilleTony.

Lastly, there are five artists – Walter Mooney, Tom Leonard, Paul Johnson, Charles Johnson, and El Watson – whom we know virtually nothing about beyond their names and that they played at the Bristol Sessions. Hopefully we will find their final resting places one day as we continue to research. 

I have always had an interest in cemeteries, the artistry behind making gravestones, and the preservation of them. I even decided to write my master’s thesis on the similarities between public history practices and cemeteries! Creating a virtual cemetery for the Bristol Sessions artists was a passion project that allowed me to view the content of the museum where I work through my favorite historical lens and it doesn’t stop here! If you are interested in exploring more virtual cemeteries, check out the other two I have made: BCM VIPs – people who have carried on the musical tradition and innovated the sounds of Bluegrass, Country, and American, and Women in Old-Time –  a special cemetery dedicated to the women who were featured in our special exhibit, I’ve Endured: Women In Old Time Music,   which is now traveling. All of these virtual cemeteries are updated regularly as I continue to research, so stay tuned for more!