Museum Archives - Page 21 of 34 - The Birthplace of Country Music
Listen
Play
Loading station info...

From the Vault: A Father’s Photographs

When you think of a specific site associated with country music, the first place that comes to mind is more than likely the Grand Ole Opry. In 2018, Lawrence Inscho, one of our regular contributors to Radio Bristol, donated a personal connection to this iconic venue to the Birthplace of Country Music Museum.

But first some background: Lawrence’s father William Lawrence Inscho Sr. served in World War II as a staff sergeant. After Pearl Harbor, he was stationed in Fairbanks, Alaska – with the Alaskan Aleutian Islands as early targets of the enemy, the US military’s position there played a strategic role in the defense of the country. He was eventually stationed in Memphis, Tennessee, and during his service, he went to Nashville for a needed surgery. He met a young woman there and later married her.

Left: Portrait of William Lawrence Inscho Sr. in his military uniform. Right:  Picture of Inscho Sr.'s Leica camera.
Left: Staff Sgt. William Lawrence Inscho Sr. Right: The camera used by Lawrence’s father in the 1940s. Courtesy of Lawrence Inscho

The Grand Ole Opry has played host to so many greats of country and bluegrass music over the years, almost too many to count. In the summer of 1945, Inscho Sr. took a series of photographs at the revered Grand Ole Opry stage. The younger Lawrence likes to imagine that these photos were from his parents’ honeymoon.

For us, the photos taken by Inscho Sr. are a true treasure trove, documenting performances from the heyday of the Grand Ole Opry and country music. Some of the most well-known musicians that played at the Opry, like Bill Monroe and Uncle Dave Macon, have their likenesses preserved in these images. Others not quite as famous, like Zeke Clements, are remembered here as well. It’s a real thrill to see these important musicians as we take a gander at some of the photograph collection!

Pee Wee King is to the far left with his accordion and playing to the audience. He is backed by four musicians in matching outfits and playing a variety of instruments.
Photo credit to William Lawrence Inscho Sr.

One of the lesser known monuments of country music and the Grand Ole Opry was Pee Wee King, seen here on the far left. Despite his Polish-German musical heritage (he was born Frank Julius Anthony Kuczynski), he co-wrote “The Tennessee Waltz,” which became a standard of the country music genre, and toured and made movies with Gene Autry. King joined the Opry in 1937, and he brought a rebellious side to this traditional venue by defying the Opry’s ban on drums, horns, the accordion, and electrical instruments. In doing so, he was one of the first people to introduce those instruments to country music at the Grand Ole Opry. He also wore the flamboyant, rhinestone-covered suits of Nudie Cohn, introducing this style to many country music artists. These suits became very popular within the genre, and the likes of Elvis Presley also later wore them. Pee Wee King was truly one of the great pioneers of country music.

Several musicians and background people on the stage with a Prince Albert tobacco advertisement hung on the wall behind them. The Duke of Paducah is center stage, dressed as a woman.
The Duke of Paducah (center). Photo credit to William Lawrence Inscho Sr.

One of the more unusual musicians featured in these photos was Benjamin Francis “Whitey” Ford, known on stage as The Duke of Paducah. A banjo picker, he founded the Renfro Valley Barn Dance stage and radio show with two other musicians. But he was also a well-known country comedian whose tagline “I’m goin’ back to the wagon, boys, these shoes are killing me!” became a standard. His jokes also influenced the classic country TV show Hee Haw. The Duke later shared the occasional show bill with none other than Elvis Presley.

Eight musicians and background people on the Opry stage, playing a variety of instruments. Zeke Clements is front and center playing the guitar at the mic.
Zeke Clements (third from right in white shirt and hat). Photo credit to William Lawrence Inscho Sr.

Zeke Clements, also known as “The Dixie Yodeler,” had some fascinating ventures during his lifetime. One of the bands he was in, Otto Gray and his Oklahoma Cowboys, was the first nationally famous cowboy western band. And one of his most prominent successes was writing the song “Smoke on the Water.” Clements also took acting roles as singing cowboys in multiple B-Western films in the 1930s and 1940s. He even voiced one of the yodeling dwarfs in the 1937 Disney movie Snow White and the Seven Dwarfs. He was quite the character in early country music!

Four musicians, all wearing hats of various styles, on the Grand Ole Opry stage, gathered round the central mic. Far left: mandolin player, near left: Curly Bradshaw playing harmonica, near right: Bill Monroe playing guitar, and far right: Stringbean playing banjo.
Photo credit to William Lawrence Inscho Sr.

When people think of bluegrass, they think of Bill Monroe, one of the greatest bluegrass musicians that has ever been. This rare early photo of Bill Monroe and the Bluegrass Boys is significant for a few reasons. First, it shows the group before Lester Flatt and Earl Scruggs joined. It also shows Monroe playing his Gibson F7, an instrument he played before he turned to his iconic 1923 Lloyd Loar-signed Gibson F5. Further, this is the only known performance photo of the man playing the harmonica, Curly Bradshaw. He only performed shortly with Monroe, and before the discovery of these photos, the only known photo of him with Monroe was a 1944 publicity photo.

At this time, the man on the right, David Akeman, better known as Stringbean, was also a member of the Bluegrass Boys. A banjo player and in the cast of the Hee Haw television series, Akeman was later famously murdered, along with his wife, in his home near Ridgetop, Tennessee, due to a hidden sum of money that was rumored to be in the home. This photo is one of the most fascinating in the Inscho photograph collection.

The Opry stage decorated with a backdrop for Purina Chows for Poultry and Livestock. Four musicians, plus a man in the background, are seen, including Dorris Macon on guitar and Uncle Dave Macon on banjo.
Photo credit to William Lawrence Inscho Sr.

This last photo shows an old-time element of the show Inscho Sr. saw at the Grand Ole Opry in 1945. It features Dorris Macon playing the guitar and Uncle Dave Macon sitting in the middle with his banjo. A vaudeville performer, Uncle Dave Macon was known for his lively and lengthy performances, which led to him becoming the first star of the Grand Ole Opry.

These photographs by Inscho Sr. reveal a once-in-a-lifetime experience where he and his wife got to see a great show with musicians of huge talent and fabled status perform. This experience was special to Inscho Sr., and the memories and record of them are now special to his son. We feel very privileged that Lawrence chose to share these photographs with us – it is personal stories and objects like these that make up a truly special part of the museum’s collections.

* If you want to hear more from Lawrence Inscho, check out Kris Truelsen’s On the Sunny Side show on Wednesdays. From 10:00 to 11:00 AM every Wednesday, Lawrence shares music primarily from his personal collection, a significant portion of which came from his father.

Radio Bristol Book Club: The Summer of the Swans

Welcome to Radio Bristol Book Club! Inspired by the museum’s current special exhibit – Reading Appalachia: Voices from Children’s Literature – readers from the Birthplace of Country Music and the Bristol Public Library are coming together each month to celebrate and explore one book featured in the exhibit. We invite you to read along and then listen in on the fourth Thursday of each month at 11—11:30am when we will dig deep into the feelings and questions raised by the books, learn more about the authors, and celebrate the joys of being a bookworm!

Four pictures of the Reading Appalachia exhibit, including the exhibits opening panels focused on what is Appalachia (far left), a little girl interacting with one of the character cut-outs of a bear (near left), a view of the entire gallery showing the panels throughout (near right), and a pile of books from the exhibit on the table in the gallery (far right).
The Reading Appalachia special exhibit is a wonderland of characters and stories for kids and adults alike, and it gives us a whole host of books to choose from for book club! © Birthplace of Country Music Museum

The book for May is The Summer of the Swans by Betsy Byars, and we will be discussing this Newbery Award-winning novel on May 23 at 11am live on Radio Bristol.

In Byars’ coming-of-age story, we meet 14-year-old Sara Godfrey as she is struggling with growing up and understanding her emotions and changing appearance. She is having a terrible summer and having to take care of her younger brother Charlie, who has an intellectual disability, just adds to the feeling of responsibility that is weighing her down. One afternoon, Sara takes Charlie to see the swans who stop near their home every summer during their annual migration. That night, Charlie disappears into the woods while searching for the swans and Sara, who feels responsible for his disappearance, knows that she must do whatever it takes to find her brother.

Three covers of the book, all showing Sara sitting with her brother as they watch the swans. The middle cover has a psychedelic feel to its illustration.

The many covers of The Summer of the Swans over the years capture the bond between the two siblings, a central theme of the book.

Betsy Byars has won many awards for books and is well-known for writing about young people at odds with themselves and the world. The Summer of the Swans follows this vein and, for some of us, takes our minds back to the days when we were 14 and trying to find our own way in the world.

We cannot wait to bring Betsy Byars’ The Summer of the Swans to Radio Bristol Book Club! We hope you can join us as we discuss this beautifully written and poignant novel. You can pick up a copy at your favorite local bookstore or stop by the Bristol Public Library and check out a copy today! The librarians at the Bristol Public Library will be happy to help you find a copy of the book in any format that suits you best, from book to audiobook, and even e-books.

Make plans to join us at 11am on Thursday, May 23 for Radio Bristol Book Club!

The Origin Project: Children Telling Appalachian Stories

Every people has to have its own stories…
If we don’t have our own stories then we don’t have our own soul:
we don’t have our own deepest possession, which is ourselves and our own unfolding…
Unless we cherish and savour our own [stories],
then we’re not going to know who we are and…we’ll become strangers to ourselves…
We’ve got to hold up a mirror to ourselves and create our own stories.
                                                                        ~ Leonard N Cohen

Writing is a valuable, sometimes vital, tool in human endeavour. 

Story writing is a particular talent: the memorialisation of personal experiences, tales, and narratives bequeathed by family or friends, teachers or mentors. 

The Origin Project is an in-school writing program co-founded by best-selling author and film director Adriana Trigiani and myself, an education advocate and long-time friend. It sprouted six years ago from the idea that Appalachia’s stories are national treasures, and its children should celebrate their roots. Our program inspires young people to discover and liberate their inner voices through the craft of writing about their unique origins; it celebrates diversity and inclusion. The Origin Project provides young people with the literary tools and confidence to harvest their unique heritages; it galvanizes their curiosity about, and respect for, each other.

Left: Adriana Trigiani standing on stage at the Barter Theater with an audience full of school children. Center: Three 4th-grade students holding Cynthia Rylant's book and copies of the school project lap books. Right: Adriana Trigiani posing with a young student in the Barter Theater.
Left and right: Adri and The Origin Project students at the Barter Theatre Kickoff Celebration in 2018. Center: Flatwoods Elementary School 4th-grade reading students with lap books made in response to When I Was Young in the Mountains by Cynthia Rylant. Photographs courtesy of Linda Woodward

Starting from 40 students in Big Stone Gap, Adri’s hometown, The Origin Project has grown organically to serve more than 1,500 students in 17 schools. We regularly import renowned authors – so far, David Baldacci, Meg Wolitzer, Margot Lee Shetterly, Mary Hogan, and Laurie Eustis – to meet with the students and share their personal writing experiences. 

Each fall, our students are given a personal journal and thereafter work on multiple projects or stories that speak of and to their heritage. Their work is professionally published at the end of the year in an anthology, presented to each student and made available in school and public libraries. The Origin Project is integrated with the Virginia Standards of Learning curriculum and collaborates with each student at her/his skill level to conceive, develop, and hone ideas into short stories, poems, plays, interviews, or other art.

The cover of The Origin Project Book Four (2018), which looks like a stained glass view of the Blue Ridge Mountains.
The Origin Project Book Four, published May 2018. Photograph courtesy of Linda Woodward

It is a joyful surprise to read our students’ work, witness their growth, and observe the budding of their self-esteem. Through their creative writing with The Origin Project, our students “hold up a mirror” to themselves and thereby reclaim their “own deepest possession”: themselves and their “own unfolding.”

When Adri asked me to join her in founding The Origin Project, I had never been to Appalachia; upon my arrival, I even mispronounced its name. Over the past six years, I have fallen in love with the rolling blue mountains framing this extraordinary place that is home to magical people with unique stories to tell. Listening to students share tales of their heritage – of celebrations of Mamaws and Papaws and of personal successes and heartaches – has enriched my own life. I believe other readers of our annual anthologies experience similar reactions. Virginia has become my home-away-from-home.

Nancy sitting in a rocking chair in a school classroom, surrounded by 2nd-grade students as she reads to them.
Reading Lorraine: The Girl Who Sang the Storm Away by Ketch Secor to Flatwoods Elementary School 2nd graders. Photograph courtesy of Linda Woodward

Last year The Origin Project embarked on a collaboration with the Birthplace of Country Music. We brought a group of our students to the Birthplace of Country Music Museum to tour For All the World to See: Visual Culture and the Struggle for Civil Rights, a temporary special exhibit made possible through NEH on the Road, a special initiative of the National Endowment for the Humanities, and Mid-America Arts Alliance. The experience provided a unique opportunity for our young writers to discover, through imagery portraying eye-opening events, some of the history of the Civil Rights movement in Appalachia and beyond. As Head Curator René Rodgers guided and informed our students, we learned that much of what was portrayed in this exquisite exhibit was rarely read or discussed in their curriculum. The culmination of the visit to the museum was a poetry workshop led by Langley Shazor, poet and president of The Casual Word. Langley provided the students with typewriters to drop them into the timeframe of the exhibit, and after a lesson on how to operate them, the students created emotional, profound poems that will be published in this year’s anthology.

Left: Langley Shazor, wearing a cloth cap, and Rene Rodgers, in a plaid flannel shirt, standing in front of the opening panel to For All the World to See (a picture of Gordon Parks with his camera). Right: Langley stands behind several students working on typewriter's in the museum's Learning Center.
Left: Langley Shazor and René Rodgers talk to The Origin Project students about For All the World to See and using the exhibit’s visual imagery for inspiration. Right: Students use old-fashioned typewriters to tap into their creativity after visiting the exhibit. Photographs courtesy of Linda Woodward

In the weeks ahead, we look forward to exposing as many of our students as possible to Reading Appalachia: Voices from Children’s Literature, another temporary special exhibit on loan from the East Tennessee Historical Society and currently on display at the museum – one that will provide a priceless opportunity for them to “walk into the pages of a story of childhood in Appalachia!”

Eagerly awaiting the arrival of The Origin Project Book Five, we are busy planning five unveilings to celebrate the creations of our published authors. We are thrilled and excited to hold one of these events at the Birthplace of Country Music Museum in May. We are deeply grateful to these new partners and friends, and look forward to many collaborations in the future!

Lights! Camera! Wynonna!

Cool Bristol Rhythm ’19 Playlist included!

Every year we try to come up with new and exciting ways to announce the lineup for Bristol Rhythm & Roots Reunion. We always throw a big press conference, and look forward to sharing the news with the world. This year we produced a fun video listing the top headliners, and got several of our staff members and volunteers involved.

Bristol Rhythm & Roots Reunion 2019 Lineup Announcement Video. Share!

We worked with the amazing team at Loch & Key Productions to produce the video. They are a top-notch crew based in Knoxville, and they work with a number of other great festivals like Bonnaroo and Forecastle. We have had the pleasure of working with them for several years at Bristol Rhythm, and they always come up with creative and fun ideas. Shooting in local hair salons was their concept, and we totally went for it!

(L) Shooting the first scene. “Wynonna” enters salon. With a guitar. Maybe she’s thinking of an impromptu sing along? (R) Marty (Paige Cook) and Wynonna ready to duet.

Call time for our first scene came early – 6:45 a.m. We met up at Salon Remington in Historic Downtown Bristol where owner Lelia Matney and her glam squad graciously moved appointments so we shoot in her shop. This was where our make-believe Wynonna would be getting her hair done. Several scenes were shot in this location and much of our staff got into the act!

There is but a fabulous few so inherently iconic that they are instantly recognized by a single name. In country music, that list is short and sweet: Dolly, Reba, and Wynonna. Body positive before it was cool, Wynonna has always impressed me as a strong and triumphant spirit. I was stoked to get to trot around Bristol in a long, red wig (the color of my own red hair isn’t as brilliant) and pretend!

(Top L) This day we learned our Executive Director Leah Ross has had some experience as a shampoo girl! She used to work in her sister’s salon! (Top R) Our Graphic Designer Hannah Holmes ended up needing a shampoo after this scene. So. Much. Hair Spray! (Bottom L) Erika Barker, our Sales & Business Development Manager, and Terry Napier, 2019 Bristol Rhythm Festival Chair. He refused to let her trim the beard. (Bottom R) Toni Doman is our grant writer and also does a shift on Radio Bristol; Tracey Childress is our “Director of First Impressions.” They are totally method acting here.

After leaving Salon Remington, a few scenes were shot at various locations downtown. It was meant to look like Wynonna and our pretend Marty Stuart were strolling around on their way to get haircuts. We didn’t necessarily stop traffic, but we did get a few odd looks from curious folks. Even in costume we weren’t allowed to reveal our fictional identities for fear that it would ruin the announcement!

(Top) Our “extras” included our Music Committee Chairman Brent Treash. (Bottom) Scotty Almany was our St. Paul stand-in.

After lunch we moved production to Rockin’ Ruby Salon, where owners Misti Maples and Tonya Galloway rolled out the red carpet for the crew. The interior of this salon is so cool and retro, just the type of place where we envision Marty getting his hair did.

I cast my friend Paige Duncan in the role as Marty because she naturally has some beautiful silver streaks in her hair. However, we ended up using a wig in the off-chance we’d need to shoot extra scenes when she wasn’t going to be available. At the end of the day, we had a great time and made a fun video of which we are all proud.

Thank you to our friends at Salon Remington and Rockin’ Ruby for letting us shoot in their awesome businesses! We hope the next time you’re in need of a new “do” you’ll check them out!

Can’t wait for the festival? Check out our fun Bristol Rhythm 2019 Spotify playlist in the mean time! And feel free to share with friends!