April 2019 - The Birthplace of Country Music
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The Origin Project: Children Telling Appalachian Stories

Every people has to have its own stories…
If we don’t have our own stories then we don’t have our own soul:
we don’t have our own deepest possession, which is ourselves and our own unfolding…
Unless we cherish and savour our own [stories],
then we’re not going to know who we are and…we’ll become strangers to ourselves…
We’ve got to hold up a mirror to ourselves and create our own stories.
                                                                        ~ Leonard N Cohen

Writing is a valuable, sometimes vital, tool in human endeavour. 

Story writing is a particular talent: the memorialisation of personal experiences, tales, and narratives bequeathed by family or friends, teachers or mentors. 

The Origin Project is an in-school writing program co-founded by best-selling author and film director Adriana Trigiani and myself, an education advocate and long-time friend. It sprouted six years ago from the idea that Appalachia’s stories are national treasures, and its children should celebrate their roots. Our program inspires young people to discover and liberate their inner voices through the craft of writing about their unique origins; it celebrates diversity and inclusion. The Origin Project provides young people with the literary tools and confidence to harvest their unique heritages; it galvanizes their curiosity about, and respect for, each other.

Left: Adriana Trigiani standing on stage at the Barter Theater with an audience full of school children. Center: Three 4th-grade students holding Cynthia Rylant's book and copies of the school project lap books. Right: Adriana Trigiani posing with a young student in the Barter Theater.
Left and right: Adri and The Origin Project students at the Barter Theatre Kickoff Celebration in 2018. Center: Flatwoods Elementary School 4th-grade reading students with lap books made in response to When I Was Young in the Mountains by Cynthia Rylant. Photographs courtesy of Linda Woodward

Starting from 40 students in Big Stone Gap, Adri’s hometown, The Origin Project has grown organically to serve more than 1,500 students in 17 schools. We regularly import renowned authors – so far, David Baldacci, Meg Wolitzer, Margot Lee Shetterly, Mary Hogan, and Laurie Eustis – to meet with the students and share their personal writing experiences. 

Each fall, our students are given a personal journal and thereafter work on multiple projects or stories that speak of and to their heritage. Their work is professionally published at the end of the year in an anthology, presented to each student and made available in school and public libraries. The Origin Project is integrated with the Virginia Standards of Learning curriculum and collaborates with each student at her/his skill level to conceive, develop, and hone ideas into short stories, poems, plays, interviews, or other art.

The cover of The Origin Project Book Four (2018), which looks like a stained glass view of the Blue Ridge Mountains.
The Origin Project Book Four, published May 2018. Photograph courtesy of Linda Woodward

It is a joyful surprise to read our students’ work, witness their growth, and observe the budding of their self-esteem. Through their creative writing with The Origin Project, our students “hold up a mirror” to themselves and thereby reclaim their “own deepest possession”: themselves and their “own unfolding.”

When Adri asked me to join her in founding The Origin Project, I had never been to Appalachia; upon my arrival, I even mispronounced its name. Over the past six years, I have fallen in love with the rolling blue mountains framing this extraordinary place that is home to magical people with unique stories to tell. Listening to students share tales of their heritage – of celebrations of Mamaws and Papaws and of personal successes and heartaches – has enriched my own life. I believe other readers of our annual anthologies experience similar reactions. Virginia has become my home-away-from-home.

Nancy sitting in a rocking chair in a school classroom, surrounded by 2nd-grade students as she reads to them.
Reading Lorraine: The Girl Who Sang the Storm Away by Ketch Secor to Flatwoods Elementary School 2nd graders. Photograph courtesy of Linda Woodward

Last year The Origin Project embarked on a collaboration with the Birthplace of Country Music. We brought a group of our students to the Birthplace of Country Music Museum to tour For All the World to See: Visual Culture and the Struggle for Civil Rights, a temporary special exhibit made possible through NEH on the Road, a special initiative of the National Endowment for the Humanities, and Mid-America Arts Alliance. The experience provided a unique opportunity for our young writers to discover, through imagery portraying eye-opening events, some of the history of the Civil Rights movement in Appalachia and beyond. As Head Curator René Rodgers guided and informed our students, we learned that much of what was portrayed in this exquisite exhibit was rarely read or discussed in their curriculum. The culmination of the visit to the museum was a poetry workshop led by Langley Shazor, poet and president of The Casual Word. Langley provided the students with typewriters to drop them into the timeframe of the exhibit, and after a lesson on how to operate them, the students created emotional, profound poems that will be published in this year’s anthology.

Left: Langley Shazor, wearing a cloth cap, and Rene Rodgers, in a plaid flannel shirt, standing in front of the opening panel to For All the World to See (a picture of Gordon Parks with his camera). Right: Langley stands behind several students working on typewriter's in the museum's Learning Center.
Left: Langley Shazor and René Rodgers talk to The Origin Project students about For All the World to See and using the exhibit’s visual imagery for inspiration. Right: Students use old-fashioned typewriters to tap into their creativity after visiting the exhibit. Photographs courtesy of Linda Woodward

In the weeks ahead, we look forward to exposing as many of our students as possible to Reading Appalachia: Voices from Children’s Literature, another temporary special exhibit on loan from the East Tennessee Historical Society and currently on display at the museum – one that will provide a priceless opportunity for them to “walk into the pages of a story of childhood in Appalachia!”

Eagerly awaiting the arrival of The Origin Project Book Five, we are busy planning five unveilings to celebrate the creations of our published authors. We are thrilled and excited to hold one of these events at the Birthplace of Country Music Museum in May. We are deeply grateful to these new partners and friends, and look forward to many collaborations in the future!

Lights! Camera! Wynonna!

Cool Bristol Rhythm ’19 Playlist included!

Every year we try to come up with new and exciting ways to announce the lineup for Bristol Rhythm & Roots Reunion. We always throw a big press conference, and look forward to sharing the news with the world. This year we produced a fun video listing the top headliners, and got several of our staff members and volunteers involved.

Bristol Rhythm & Roots Reunion 2019 Lineup Announcement Video. Share!

We worked with the amazing team at Loch & Key Productions to produce the video. They are a top-notch crew based in Knoxville, and they work with a number of other great festivals like Bonnaroo and Forecastle. We have had the pleasure of working with them for several years at Bristol Rhythm, and they always come up with creative and fun ideas. Shooting in local hair salons was their concept, and we totally went for it!

(L) Shooting the first scene. “Wynonna” enters salon. With a guitar. Maybe she’s thinking of an impromptu sing along? (R) Marty (Paige Cook) and Wynonna ready to duet.

Call time for our first scene came early – 6:45 a.m. We met up at Salon Remington in Historic Downtown Bristol where owner Lelia Matney and her glam squad graciously moved appointments so we shoot in her shop. This was where our make-believe Wynonna would be getting her hair done. Several scenes were shot in this location and much of our staff got into the act!

There is but a fabulous few so inherently iconic that they are instantly recognized by a single name. In country music, that list is short and sweet: Dolly, Reba, and Wynonna. Body positive before it was cool, Wynonna has always impressed me as a strong and triumphant spirit. I was stoked to get to trot around Bristol in a long, red wig (the color of my own red hair isn’t as brilliant) and pretend!

(Top L) This day we learned our Executive Director Leah Ross has had some experience as a shampoo girl! She used to work in her sister’s salon! (Top R) Our Graphic Designer Hannah Holmes ended up needing a shampoo after this scene. So. Much. Hair Spray! (Bottom L) Erika Barker, our Sales & Business Development Manager, and Terry Napier, 2019 Bristol Rhythm Festival Chair. He refused to let her trim the beard. (Bottom R) Toni Doman is our grant writer and also does a shift on Radio Bristol; Tracey Childress is our “Director of First Impressions.” They are totally method acting here.

After leaving Salon Remington, a few scenes were shot at various locations downtown. It was meant to look like Wynonna and our pretend Marty Stuart were strolling around on their way to get haircuts. We didn’t necessarily stop traffic, but we did get a few odd looks from curious folks. Even in costume we weren’t allowed to reveal our fictional identities for fear that it would ruin the announcement!

(Top) Our “extras” included our Music Committee Chairman Brent Treash. (Bottom) Scotty Almany was our St. Paul stand-in.

After lunch we moved production to Rockin’ Ruby Salon, where owners Misti Maples and Tonya Galloway rolled out the red carpet for the crew. The interior of this salon is so cool and retro, just the type of place where we envision Marty getting his hair did.

I cast my friend Paige Duncan in the role as Marty because she naturally has some beautiful silver streaks in her hair. However, we ended up using a wig in the off-chance we’d need to shoot extra scenes when she wasn’t going to be available. At the end of the day, we had a great time and made a fun video of which we are all proud.

Thank you to our friends at Salon Remington and Rockin’ Ruby for letting us shoot in their awesome businesses! We hope the next time you’re in need of a new “do” you’ll check them out!

Can’t wait for the festival? Check out our fun Bristol Rhythm 2019 Spotify playlist in the mean time! And feel free to share with friends!

An Out-of-this-World Farm and Fun Time!

April’s Farm and Fun Time kicked off the fourth season of our popular monthly show! Thanks to our sponsor Eastman Credit Union, Radio Bristol was able to bring Farm and Fun Time not only to those in the audience or tuned in to WBCM-LP, but to viewers far and wide via Facebook Live. Be sure to like WBCM – Radio Bristol on Facebook to tune in every month!

Host band Bill and the Belles kicked off the show blending sounds old and new in their much-loved way, while this month’s “Heirloom Recipe” segment was presented by Grant Hall. Grant’s father purchased the world-famous Dip Dog stand in 1963, and Grant has owned the storied restaurant since 1979. While the actual Dip Dog Recipe is top secret, Grant told our audience that perhaps Dip Dog is not so much about the Dip Dog itself, but about the memories folks make while enjoying them. To commemorate the Dip Dog – which IS NOT a corn dog, by the way – Bill and the Belles wrote and performed a catchy jingle.

Left: Bill and the Belles -- bass, fiddle, guitar, and banjo players -- gather round the mic on stage; Grant Hall, dressed in a checked top, talks into the mic during his "Heirloom Recipe" story.
Bill and the Belles brought their foot-tapping tunes to Farm and Fun Time, while Grant Hall shared stories and memories of everyone’s favorite Dip Dog. © Birthplace of Country Music; photographer: Billie Wheeler

Our first musical guest of the evening was Kansas City, Missouri’s The Matchsellers, a band that blends hard-driving bluegrass with all the grit intact – with science fiction storytelling. The Matchsellers are space travelers from the year 2437, and they took our audience through a lesson on the history of the future, including the Apocalypse of 2137. Beginning with their sensational “Bluegrastronauts,” a song that tells the story of Bluegrass Pioneers on a cosmic journey, The Matchsellers had our initially reluctant audience rolling with laughter. To cap off their unique set, band members donned bird masks while performing a piece about the similarities between pigeons and doves. This hilarious, high-energy performance was only the start to the outstanding evening of music to follow.

Left: A close up of the banjo (man with a beard and glasses) and guitar (woman with glasses in a red top) players of The Matchsellers. Top right: A close up of the fiddler (woman in a grey top and sunglasses) and the guitar player at the mic. Bottom right: Full band, with the fiddler and the bass (woman in a grey top) players wearing pigeon/dove masks.
The Matchsellers charmed the Farm and Fun Time audience with their quirky songs! © Birthplace of Country Music; photographer: Billie Wheeler

Turning to green thumbs, this month’s “ASD Farm Report” showcased TNT Farm N Greenhouse in Meadowview, Virginia. Here’s a video from our visit:

Our next musical guests of the evening were the Chatham Rabbits, a husband-and-wife duo brought together through music. Austin McCombie and Sarah Osborne McCombie have performed across the country, travelling in a van with their hound dog Ruby. Playing original compositions that pay homage to the old-time tradition, Chatham Rabbits put on a moving performance that included “Blue Ridge Mountain Home” and “Heat of the Day,” songs evoking the timeless struggles and triumphs of the common people of the American South and beyond. In performance music, it is easy to lose the element of human connection, but Chatham Rabbits maintained a strong connection with the Farm and Fun Time audience. The openness Sarah and Austin displayed about transitioning from regular 9-to-5 work to full-time music-making and the difficulties that go with that made their final song, “The Good Things (Outweigh the Bad),” seem like the only appropriate conclusion to their set.

Two close ups of Sarah and Austin McCombie singing together at the mic. He plays the guitar and wears a striped top and black cowboy-style hat, and she plays the banjo and wears a red/orange top and glasses.
The musical chemistry of the Chatham Rabbits made their time on stage a real pleasure for the Farm and Fun Time crowd. © Birthplace of Country Music; photographer: Billie Wheeler

Our last musical guest of the evening was the Becky Buller Band. This all-star band led by Grammy-winning songwriter and multi-instrumentalist Becky Buller was a fitting end to this wonderful night of music. In addition to a number of her own original songs, Becky performed classics such as Don Reno and Red Smiley’s “Country Boy Rock ‘n’ Roll” and the classic fiddle tune “Carroll County Blues.” Playing guitar with Becky was ETSU’s Professor Dan Boner, the director of the university’s renowned Bluegrass, Old Time, and Country Music Studies program. The band performed Dan’s recent highly acclaimed song “West of West Virginia,” and they followed up this heavy piece about the outward migration of Appalachians to the industrialized north with the light-hearted “Mr. Nedski,” a commercial encouraging our Farm and Fun Time audience to visit the merchandise table after the show – though the audience surely didn’t need much more encouragement than the stellar set that preceded it!

Left: The full Becky Buller band, including mandolin, bass, guitar, and banjo players and Becky Buller on the fiddle. Center: A close up of Becky Buller singing into the mic. Right: The Becky Buller band taking a selfie on stage.
The Becky Bueller Band brought a wonderful end to a very special night of music – and they enjoyed it just as much as the people on their feet in the audience! © Birthplace of Country Music; photographer: Billie Wheeler

Thanks to everyone who came out and helped make April’s Farm and Fun Time another successful evening of fun and music! Tickets are on sale for May’s Farm and Fun Time featuring Davina and the Vagabonds and Hoot and Holler, and host band Bill and the Belles. We hope to see you there!

Pick 5: Welcome Spring and Easter Treats!

For our “Pick 5” blog series, we ask members of the Radio Bristol team to pick five songs within a given theme – from heartsongs to murder ballads and everything in between! Once they pick their “5,” they get the chance to tell us more about why they chose those songs. With a diverse staff of knowledgeable DJs, we’re sure to get some interesting song choices, which might introduce you to some new music, all easily accessible by tuning into Radio Bristol! This month’s “Pick 5” is by Josh Littleton, Radio Bristol Engineer & Technical Administrator and host of Early Morning Americana each weekday from 7am to 9am.

As the year rolls along and the winter season comes to a close, we all long for the warmer, longer days of spring. The arrival of spring means birds chirping, flowers blooming, and hopping bunnies, which make us think of everyone’s favorite rabbit-related holiday, EASTER! However, Easter means so much more than just the Easter Bunny! That’s right: I’m talking about Easter egg hunts, Easter ham, Easter lilies, and Easter chocolate and jellybeans galore. And so, in the spirit of the season, my Pick 5 theme will be devoted to all things Easter!

“Dirty Old Egg Sucking Dog,” Johnny Cash

Written by J. Clement, Johnny Cash released this version of “Dirty Old Egg Sucking Dog” in 1966 on the album Everybody Loves a Nut. Curiously, the album was released on May 1, only days after the Easter holiday had passed. A slow, melodic number with instrumentation to match the lyrics contained within, this song gives quite the opposite impression of what we think spring should sound like.

“Rabbit in the Log,” Jimmy Martin & Ralph Stanley

Written by P. Kirby, Jimmy Martin and Ralph Stanley came together for the first time to release an album unsurprisingly titled First Time Together. The album included classics like “In the Pines” and “Roll On Buddy Roll On,” but it also included “Rabbit in the Log,” which sadly doesn’t end well for the rabbit (spoiler alert: it’s cooked over the fire!).

“Chocolate Jesus,” Tom Waits

Tom Waits and Kathleen Brennan wrote the song “Chocolate Jesus” as a nod to the commoditization of religion. It was released in 1999 as part of the album Mule Variations. As you would expect from Tom Waits, this song serves up a heavy dose of sarcasm and contradiction.

“I Found My Yellow Basket,” Ella Fitzgerald

Written by Ella Fitzgerald and Van Alexander, “I Found My Yellow Basket” has an incredibly classic and uplifting feel. Ella sings: “Was it red, Was it blue, No No No, just a little yellow basket,” but don’t worry because your Easter basket can be whatever color you like!

“Needle in a Haystack,” The Velvelettes

Written by Norman Whitfield and William Stevenson, the great Motown number “Needle in a Haystack” was released in 1964. You might be wondering what this song has to do with Easter. It’s because Easter eggs are like a good man, they’re “…like finding a needle in a haystack”!

https://www.youtube.com/watch?v=hh7Vpr4V6HM