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Big Lon’s Vinyl Record Collecting Guidelines

 Lonnie “Big Lon” Salyer is a vinyl record historian focused on local independent studios and labels in Southern Appalachia. His show “Diggin’ With Big Lon” airs weekly on WBCM Radio Bristol. 


Hey ya’ll this is Big Lon checking in to make sure you are aware that August 12th is National Vinyl Record Day, a celebration of vinyl records, their history, and their significance in music and culture. If you’re interested in collecting vinyl records, here are some guidelines on what to collect, where to find them, and how to store and clean them. 

A selfie of Big Lon inside of the Radio Bristol studio space holding a record with that reads "The Birthplace of Country Music Bristol" on the front. Big Lon (Lonnie) is smiling and wears a fedora straw hat and studio headphones.
 Big Lon is a Radio Bristol DJ and avid vinyl record collector. 

First off there’s not a wrong answer on what to collect, it all depends on you and what makes you happy. Music provides both a connective social bond and an individual experience, and no two people have the same tastes or collective life journeys. Collecting vinyl records bridges both realms together in a tangible format you can hold in your hand. I’m still learning and certainly don’t know all the answers but here’s my two cents based on my collecting experience.

What should I collect Big Lon? I’d answer that with what do you like about music? What are your motivations when it comes to hobbies, investments, collecting, socializing?  I can break this down into five basic categories to consider. First, what’s your personal connection with music? A great way to start is collecting records that have sentimental value to you on a personal level. Do you remember a song from Saturday morning cartoons or a song that you used to listen to with your grandfather on the drive to and from fishing trips? It may be as simple as the music you and your friends liked back in college or middle school. Make a list of all those songs you connect with as a bucket list you’d like to have on vinyl. Secondly, what genres of music and artists do you like? You can focus on records from your favorite artists or specific genres like heavy metal or even eras such as 1950’s jazz. This will be a great starting point that can lead to discovering similar artists or labels that specialize in the genre of music you like. Maybe you want to get into vinyl for the collectible aspect because you heard of valuable vinyl records and want to invest in records in hopes of your collection growing in value. Limited editions and limited pressings can fulfill this option. Limited releases, colored vinyl, and special editions can be valuable and unique additions to your collection. A great example is this limited pressing orange vinyl 45rpm release by Blake Berglund, recorded at The Earnest Tube in Bristol and released on Armadillo Tail Records. 

A closeup of a bright orange colored vinyl 45rpm record. The text on the front of the record reads "armadillo tail recording company presents" and the bottom text reads "Blake Berglund" in larger lettering with smaller text. An armadillo with his head inside of a cowboy boot is also on the record.
Limited orange vinyl 45rpm record in Big Lon’s collection.

Befriending the owners and sales people at your local vinyl record shop can lead to insight on when new releases will hit the shelves or what unique items your local shop will be getting for Record Store Day, which occurs annually in April. A fourth option is focusing on classic iconic albums that have had a significant impact on music history. A simple google search of the greatest or essential vinyl records in a genre you are interested in or maybe the top 20 of multiple genres so you can build a diverse interesting collection to match your mood or the social crowd you are having over for dinner or a cup of coffee. A final category I recommend is obscure and rare records. Once you get a little experience in vinyl collecting this one tends to happen organically. Seek out records that are hard to find or have historical significance. It can be that local band that you remember from high school that put out one independent record or whatever inspires you. For me, the hard-to-find Kingsport label from the 78rpm era of the early 1950s is one I actively collect.

A graphic collage of records with the text "Kingsport" labeled clearly. In the middle of the collage is a promotional graphic image of Big Lon. He is wearing a fedora straw hat and holding two records.
Big Lon’s Kingsport Records collection featured on an airing of Diggin’ With Big Lon on Radio Bristol.

Big Lon, where do I find vinyl records? We’ve already touched on visiting your local record shops to get an understanding of what they offer. Local record stores often have a diverse selection of vinyl records, both new and used. These stores can be a great place to discover hidden gems and interact with fellow enthusiasts. Online marketplaces like eBay, Discogs, and Amazon offer a wide range of vinyl records for sale. You can find rare and collectible records from various sellers. I’m a member of several Facebook groups of like interested collectors who specialize in specific record genres or format sizes such as LPs (33rpm), 78rpm or 45rpm. Flea markets and thrift stores are essential. Get to know those in your community. These spots can be treasure troves for vinyl collectors. You might stumble upon valuable records at affordable prices. In addition, don’t overlook estate sales and garage sales; occasionally, people sell off their vinyl collections, often at reasonable prices. I’ve personally bought four records that are valued over $1,000 each for a buck or less at rummage sales and from flea market dealers. Another great avenue is music festivals and conventions. Sometimes music events and conventions include vinyl vendors or the artists will have a merchandise table selling vinyl records along with t-shirts and swag. As you get your bearings in the hobby and a focused list of what you are looking for, I recommend record fairs. These events gather multiple sellers in one place, offering a variety of records for sale. It’s a great opportunity to network and learn more about collecting. I host one for Fun Fest in Kingsport, TN to meet new vinyl enthusiasts and network to find records on my want list.

A promotional image of Big Lon's vinyl record expo. The poster features a colorful graphic that resembles 6 hot air balloons in a circle. The background is black with blue clouds and stars. The text reads "Big Lon's Vinyl Record Expo at the 2023 Kingsport Fun Fest July 16 Civic Auditorium 10-4. 1,000's of 33's, 45's, 78's and More!"
Big Lon’s Vinyl Record Expo, July 2023.

How do I store vinyl records Big Lon? The key is vertical storage. Heavy flat stacks of LP’s and especially 78rpm records can cause damage. Store records vertically to distribute weight which helps prevent warping. Use record crates, shelves, or dedicated record storage units. Keep records in protective inner sleeves to prevent scratches and dust buildup. Outer sleeves can safeguard the album covers. For loose 45rpm or 78rpm records, your local record shop most likely carries packaged sleeves you can utilize to protect the vinyl. Climate control is a major priority. Direct sunlight can warp and damage the vinyl and fade the covers. A cool, dry environment is ideal. Extreme temperature and humidity fluctuations can warp records or cause labels and covers to mildew. I’ve run across records with mold growing in the grooves from dirt and debris in wrong storage climates, like records found in musty basements.

OK Big Lon, what if I find the perfect record but it’s not been well cared for, what do I do? Here are some tips for cleaning records: first, handle records correctly by their edges and avoid touching the playing surface with your fingers. This keeps the oils from your skin off the vinyl to avoid the collection of dust and dirt. Sometimes what’s perceived as scratches or skips can be resolved with a gentle cleaning of the grooves. Use a carbon fiber brush to remove dust and debris from the surface before playing. A microfiber cloth can help clean the album cover. Invest in a good cleaning solution or cleaning system. I personally use Pristine Platters and a microfiber cloth for light cleanings and a system called Spin Clean for more challenging cleans. Both products as well as several similar products can be found online or at a local record shop. A static roller can work wonders to remove pops and crackles associated with static energy build up. Some collectors come up with their own system for cleaning records. Research any household cleaners before you use them to make sure they don’t contain chemicals that can damage your vinyl collection. Dry your records including the labels before putting them back in the sleeves and before putting them on your turntable.

Collecting vinyl records can be a rewarding and enjoyable hobby. Remember that each collector’s journey is unique, so feel free to tailor your collection to your personal preferences and interests.

Happy collecting!

Local & Regional Record Stores 

Resources

Example Record Collecting Facebook groups 

Rosanne Cash: Americana’s Renaissance Woman

Voice Magazine for Women, a free, monthly publication distributed regionally in Northeast Tennessee and Southwest Virginia to 650 locations, partners with the Birthplace of Country Music to promote our annual music festival, Bristol Rhythm & Roots Reunion. In August and September of each year, Voice generously allows us free rein to produce cover stories for the magazine highlighting upcoming acts performing at the event. With their permission, we have duplicated the cover article for this month – we hope you enjoy it! To read this month’s issue in its entirety, click here.

Voice Magazine for Women
Rosanne Cash: Americana’s Renaissance Woman
A Q&A on Family Ties to Southwest Virginia, Her First Trip to Bristol, and Fun Stuff You Didn’t Know and Would Likely Never Ask
By Guest Contributor Charlene Tipton Baker
Photo Credits: Michael Lavine

Rosanne Cash is one of the most revered artists in Americana music. At 67, she has an amazing career as a multi-GRAMMY Award-winning songwriter and performer. A born writer, Cash was inducted into the Nashville Songwriters Hall of Fame in 2015 and is a bestselling author and poet. Her fiction and essays have appeared in The New York Times, Rolling Stone, and Oxford-American, among others, and she is frequently invited to teach classes in English and Songwriting at various colleges. Additionally, Cash is an advocate for creators’ rights and children’s causes, including education and gun violence prevention.

This September, Rosanne Cash headlines Bristol Rhythm & Roots Reunion on the 95th Anniversary of the legendary 1927 Bristol Sessions recordings. Rosanne’s familial connection to our region’s music heritage makes her visit extra special; she is the eldest daughter of country music legend Johnny Cash and his first wife Vivian. She also enjoyed a close, loving relationship with Johnny’s second wife, June Carter Cash. June is the daughter of Mother Maybelle Carter of the Carter Family, the “First Family of Country Music.” The 1927 Bristol Sessions included the very first recordings of The Carter Family and Jimmie Rodgers, the “Father of Country Music,” and catapulted country music into the mainstream.

Ralph Peer recorded the 1927 Bristol Sessions in the Taylor-Christian Hat & Glove Company building on the Tennessee side of State Street. The building was long gone by the summer of 1971 when Johnny and June traveled to Bristol, alongside Maybelle Carter, Sara Carter Bayes, and other members of the Carter clan, to dedicate a monument to the 1927 Bristol Sessions at the site where they took place. Ralph Peer II (son of Ralph Peer) and members of Jimmie Rodgers’ family were also present. Thousands of people from the community gathered for the occasion. On that day, Johnny expressed to them how he would love to see a museum dedicated to the music history that had been made in Bristol.

Decades later in 2001, the annual Bristol Rhythm & Roots Reunion music festival was established to honor the legacy of those seminal recordings. The Birthplace of Country Music Museum, an affiliate of the Smithsonian Institution, opened its doors to the public in August 2014. One year later, WBCM Radio Bristol went live on the air, broadcasting from the museum.

I relayed the story above to Rosanne’s manager, Danny Kahn, along with a request for this interview and extended an invitation for the artist to tour the museum while she is in town for the festival. He quickly replied, “Rosanne realizes how significant her visit to Bristol is. She has never been. She wants to do as much as possible regarding your requests.” From everything I had read, I was not at all surprised by her generosity.

So much has been written about Rosanne Cash and by her, so in this interview I chose to focus on her ties to our region’s music heritage, while adding a few trivial zingers à la Bop and Tiger Beat to satisfy my inner, pre-teen geek. Rosanne: if you are reading this, my apologies for that – but thank you for kindly playing along! I’m so grateful for the opportunity to make this connection for my hometown, and excited for you to experience Bristol and the festival. I hope you love them both as much as I do.

Below are my questions answered by the artist via e-mail:

This will be your first time performing at Bristol Rhythm & Roots Reunion and your first time visiting the museum. Knowing that your dad’s dream of having a museum dedicated to the legacy of the 1927 Bristol Sessions is now a reality, what are your thoughts?

He was right. I’m grateful that he spoke those words that day, and that a ripple of enthusiasm went out and planted the seed to create the museum, although, honestly, it seems like it was destined! Such a historic moment and location in the cultural makeup of our country deserves to be forever immortalized. I’m thrilled to be going to perform in Bristol and see the museum for the very first time. I’ve actually sent people there, but never been myself!

When tourists come to visit the museum in Bristol, we make it a point to encourage them to visit the Carter Family Fold in Hiltons, VA. We consider it hallowed ground, and it is poignant that your dad’s final performance was there. In the beautiful eulogy you wrote for June Carter Cash after her death in 2003, you mention that Johnny hosted a “grandkids weekend” for June on her birthday one year someplace in Virginia on the Holston River. Do you have any more memories of visiting there growing up?

In 2001, we visited the Maybelle and Ezra Carter house in Maces Springs, where June grew up, and which she and my dad owned in their later years. We went canoeing on the Holston River and had a celebration for June’s birthday on the property. All the children and grandchildren had to give her something that was not a physical gift— a song, a story, a wish of some kind. I remember I sang “The Winding Stream.” We visited A. P.’s grave and sang together on the porch. It was a wonderful weekend. When I was young, I remember going with Dad and June to visit some of her kin in the Valley and eating the best biscuits I’ve ever had.

This year is the 95th Anniversary of the 1927 Bristol Sessions, which many consider to be the most influential country music recordings in history. The themes in those old songs are universally timeless. Given your family ties, it makes sense that the music of the Carter Family would impact your own music, and in the past, you have cited them as an influence. Can you point to a particular Carter song – or songs – that most resonate with you?

Helen Carter spent a lot of time with me, teaching me the Carter Family canon, when I was 18 and 19 years old. It was an invaluable education. I loved “Black Jack David,” “Hello Stranger,” “I Never Will Marry,” “Sinking in the Lonesome Sea,” “Banks of the Ohio,” “Bury Me Beneath the Weeping Willow”— all classic and essential songs— but most of all, I loved “The Winding Stream.” I recorded that, and I also recorded “Bury Me Beneath the Weeping Willow” on my album “The List.” I still perform that song in concert and will be singing it with added poignancy in Bristol!

I once ran across an old video of a Carl Perkins concert from the 1980s.The Stray Cats were his backing band, and there you were – along with Eric Clapton, Dave Edmunds and George Harrison and Ringo Starr. You were the only woman on that stage, and you absolutely rocked “What Kinda Girl.” You have collaborated with so many amazing artists over the course of your career. What is it like to meet your heroes and to be respected as a peer among them?

As a pre-teen and teen Beatles obsessive, absolutely in love with and deeply affected by the Beatles, I couldn’t, in my wildest dreams, imagine being on a show with George Harrison, or becoming friends with Elton John, and singing for him at his birthday party, or so many other instances where I met the heroes of my youth, or a contemporary artist who inspires me. At some point, as a musician, after 40 plus years, you seem to run across everyone who is out there doing the same thing as you, like a person in a multi-national corporation who meets her colleagues in other branches of the company. 😉

You have been a big advocate for change on many issues, including artists’ rights to get paid fairly for the use of their music by tech companies like Spotify and Apple Music. You serve on the board of Content Creators Coalition, an artist-run nonprofit advocacy group for musicians. You have testified before the House Judiciary Committee in defense of artists rights on behalf of the Americana Association, as your dad had done in 1997 in support of the Digital Millennium Copyright Act. With so many artists, artists unions, and political leaders pushing to enact reform, do you see change coming any time soon? Does more need to happen?

The Content Creators Coalition dissolved and morphed into the Artist Rights Alliance, on whose board I serve. Change comes, change is slow. I realize I’m working in a garden I may never see bloom, but we do have some small successes piled up lately, and intellectual property rights’ issues seem to have bipartisan support in Congress, which is hopeful.

The pandemic and the political climate in the U.S. for the past several years has forced many of us to re-evaluate our lives and careers. Artists were forced to get creative to keep their audiences engaged and are only just starting to recover from months of not touring. What effect has the pandemic had on you personally and as an artist?

I wrote—both songs and essays— and I enjoyed being at home. I realize I’m very privileged to be able to say that. I thought a lot about what I want to do in the next phase of my life—less touring, more strategic, important events, more writing, more staying put. I got Covid on the road, and it’s become an occupational hazard for touring musicians. It’s not just that, however— it’s that the lifestyle is not sustainable for me. I love the audience so much, and the community and connection, but the other 22 hours of the day are hard!

I follow you on Twitter and you are brilliant at it. You have an amazing sense of humor; your barbs are witty and razor sharp. It takes skill to effectively diss in a concise and timely manner and you nail it. When are you going to take the plunge to Tik Tok? You don’t have an account, but you are definitely in that space – people from all walks of life are dancing and singing to “Seven Year Ache” and “Tennessee Flat Top Box.” It’s a beautiful thing. Search your hashtag and give me your thoughts. I’ll wait…

Oh wow. My daughters send me Tik Toks all the time, and I enjoy them, but… it will be a learning curve for me, and also… how much time does one give to social media before it starts taking back from you…??

Because I rarely get the opportunity to fully embarrass myself in front of my heroes, I’m gonna go ahead and ask the hard-hitting questions nobody but me really cares about:

You’re alone in the house and it is on fire. You can only grab one thing before fleeing. What do you take?
Irreplaceable photos of my kids that aren’t digitized and family scrapbooks. It would be hard to leave behind my guitars and diamond earrings, but….

If you could have one superpower (that you don’t currently possess), what would it be?
Heal the trauma of every child in the world. (Then… play guitar like my husband.)

What is your recurring dream?
Giant waves are coming toward me.

What book are you reading right now?
“One Hundred Years of Solitude” by Gabriel Garcia Marquez

What music is in your current rotation?
Wilco, the Avett Brothers, and Annie Lennox

What do you always keep in your purse?
A guitar pick, lipstick, and Pepcid.

What is your least favorite household chore? Favorite?
Emptying the dishwasher is my least favorite. I love sweeping and cleaning out drawers.

What is your favorite movie?
Hmmm… probably “All About Eve.”

Are you a cat person or a dog person?
I have a cat I love, but I like dogs better, generally.

Do you believe in ghosts? Aliens?
The jury is still out. Ghosts…not traditional-type ghosts, but energy that survives, and the resonance of people and places that survive death or destruction. I believe that because energy doesn’t die. Aliens…? It’s a statistical impossibility that we are alone in the universe, but I have no idea what form that takes.

Marvel or D.C. Comics?
Ooh. I don’t know. Not my area.

Toilet paper rolled out or under?
No opinion on that.

What is your spirit animal?
The ocean.

Favorite toy as a kid.
Chatty Cathy doll

You really are a Renaissance woman. You continue to accomplish so much and seem to have a deep well of creative reserves. What’s next for Rosanne Cash?

I’m the lyricist on a new musical called “Norma Rae,” based on the bio of the real woman who became Norma Rae in the film starring Sally Field. We are staging a workshop with full cast in September, and I’m excited. I love working collaboratively like this.

Thank you so much for your time and consideration! I really appreciate this opportunity!
See you in Bristol!

I highly recommend reading Rosanne Cash’s memoir, “Composed,” and “Bodies of Water,” a collection of short fiction stories. Catch her performance on the State Street Stage on Sunday, Sept. 11 at 5:15 p.m. EDT during Bristol Rhythm & Roots Reunion. The Stage is located right beside the monument to the 1927 Bristol Sessions on the “Tennessee side” of State Street. Bristol Rhythm & Roots Reunion is scheduled for September 9-11, 2022, on State Street in Historic Downtown Bristol. Visit BristolRhythm.com for lineup and ticket information.

 

Radio Bristol Spotlight: Zach McNabb and The Tennessee Esquires

Radio Bristol is proud to offer a platform to local and regional artists who are often underrepresented on a national level yet deserving of that audience. In expanding upon Radio Bristol’s core mission, we are pleased to bring you our latest series – Radio Bristol Spotlight – highlighting top emerging artists in our region. Through interviews and performances, we will learn more about the musicians who help to make Southern Appalachia one of the richest and most unique musical landscapes in the world.

For today’s installment of Radio Bristol Spotlight we caught up with 19-year-old Zach McNabb, a musician who can turn out classic country covers with astounding precision. He joined us in-studio accompanied by his 17-year-old brother Caleb and Radio Bristol DJ Bailey George on guitar. Zach’s stunning gift for recreating the musical past has been gaining him fans both regionally, where he plays festivals and performs regularly at Gatlinburg’s Smoky Mountain Tunes & Tales, as well as internationally where he’s played on live streams for German Rock-a-Billy savant Randy Richter.

While at Radio Bristol, Zach and his band The Tennessee Esquires offered a handful of marvelous renditions of time-honored hits such as Johnny Cash’s popular tunes “Folsom Prison Blues” and “Get Rhythm,” and Don Gibson’s “Oh Lonesome Me.” Zach also gave insight into his passion for playing early country music, a trait rare in the growing Gen Z age of “digital natives” who are generally more familiar with putting their fingers to screens than to steel strings.

Black-and-white image shows a young dark-haired white man wearing a white shirt and dark pants. He is seated and playing a guitar, and there are various framed images on the wall behind him, along with a display of microphones, and a studio space with various pieces of equipment is seen through a doorway.

Zach McNabb shot in the Big Tone Records studio. Photo courtesy Travis Stevenson

The talented teen grew up just outside of Johnson City in Carter County, Tennessee, and began showing an interest in music at an early age. Picking up the guitar at eight years old, McNabb was introduced to Johnny Cash by his guitar teacher who recognized that he had a natural inclination towards country-sounding rhythm. Homeschooled in rural Tennessee with his four siblings and raised by a supportive family whose history is steeped in Southern gospel, it begins to make sense why the young musician gravitated towards country music. McNabb later offered asides about his musical family – both parents play at Sunday worship services, and his Baptist preacher Paw-Paw is infamous for carting around cardboard boxes in the trunk of his car, all full of self-released gospel CDs to hand out after prayer meetings.

With extra time on their hands due to learning at home, both Zach and his younger brother Caleb dedicated themselves to focusing on their musical technique. Zach absorbed full songs to play and sing, and Caleb studied the classical violin from the age of five and transcribed that knowledge to the stand-up bass he now plays to accompany his brother. The two began “playing out” at music venues around the area at just 15 and 13 years old. They also attended the Birthplace of Country Music Museum’s Pick Along Summer Camp, where Zach says the scope of his interest in early country music was greatly broadened. He also made connections with other musicians with similar interests, such as bandleader and performer on the Farm and Fun Time Noon Show Kody Norris, for whom Zach has manned merch tables at music festivals.

In 2019 McNabb released his first album from Big Tone Records, the Bristol-based, vintage-gear-focused studio. Complete with 1950s slapback echo, McNabb’s seamless vocal performance is remarkably unique, blending influences from classic country and bluegrass singers, reminiscent of singers like Jimmy Skinner and Hank Snow.

https://www.youtube.com/watch?app=desktop&v=UbMr_slCA7g&feature=youtu.be

Zach McNabb and The Tennessee Esquires’ version of “Wreck of the Old 97,” recorded live to tape at Big Tone Records.

Looking towards the future, Zach currently attends college at Northeast State where he is studying entertainment technology with the hope of applying what he learns to live performances and expanding his breadth of recording techniques for future releases. McNabb shows a true dedication to his artistic vision and stated that one of the things that draws him most to country music is the “honesty and rawness of it.” He feels it’s a type of music that’s easy to connect to, with straightforward empathetic storytelling centered on real-life events. He also enjoys that performances connect families and friends, bringing people together to hear live music.

Before leaving the studio, we filmed Zach and his band’s rendition of “Sittin’ on Top of the World,” a tune that has become synonymous with American traditional music and has been recorded by countless artists. Zach revealed that his version is heavily influenced by Carl Perkin’s 1958 recording of the song, and we know you all will enjoy hearing it performed by this amazing artist on the rise!

Zach McNabb and The Tennessee Esquires performing “Sittin’ on Top of the World” at Radio Bristol.

Ella Patrick is a Production Assistant at Radio Bristol. She also hosts Folk Yeah! on Radio Bristol and is a performing musician as Momma Molasses.