May 2017 - Page 2 of 2 - The Birthplace of Country Music
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Frames for Reference

By René Rodgers and Emily Robinson

Each year, the month of May is designated as National Photograph Month. In this day and age, every single day seems like it is devoted to photographs, as we are all constantly shooting pics on our phones — and finding our storage full of photographs of the minutiae of our lives.

With a museum devoted to the history and legacy of early commercial country music, a music festival in its 17th year, and a radio station on air each day, the Birthplace of Country Music is now the repository of a wonderful variety of digital and physical images. To mark National Photograph Month, we wanted to share just a few of our favorites from our collections:

Donated by the family of Karl Smith

Tennessee Ernie Ford on South Holston Lake, Bristol, Tennessee-Virginia

Ernest Jennings Ford – better known by his stage persona, Tennessee Ernie Ford – was born in Bristol, Tennessee, on February 13, 1919. Ford was a star behind the mic and on screen, and he was awarded three Hollywood Walk of Fame stars for his achievements in radio, recording, and television. During the height of his career, a visit from Ford to his hometown was an occasion for celebration, including a presentation of the key to the city, press meet-and-greets, and parades on State Street. Locals remember the times they met Ford on his returns to Bristol and speak fondly of his genuineness, his reverence and love for his hometown and the Appalachian area, and his star quality.

For Ford, coming home also meant being himself. He spent much of his life in front of an audience or a camera, but what he truly loved was getting back to his rural roots and enjoying the outdoors – at his ranch, in the woods, and on the water. This photograph, taken by his friend Karl Smith, shows him fishing from a boat on South Holston Lake, perhaps even catching his dinner!

© Birthplace of Country Music, photographer: Billie Wheeler

Jesse McReynolds on Farm and Fun Time

In February 2017, Jesse McReynolds appeared on Radio Bristol’s Farm and Fun Time show, broadcast live from the Birthplace of Country Music Museum. On August 1, 1927, his grandfather Charles played the fiddle with the Bull Mountain Moonshiners as they recorded two songs for Ralph Peer at the Bristol Sessions. McReynolds followed in his grandfather’s musical footsteps, establishing a successful bluegrass career in a duo with his brother Jim and then as a solo musician – singing and playing fiddle and mandolin. McReynolds played his grandfather’s fiddle at the February radio show, bringing its history full circle – from its time at the 1927 Bristol Session to its place on stage at the Birthplace of Country Music. And at the age of 87, McReynolds’s hands show the strength and skill bought from a lifetime of playing.

Robert Alexander Collection, Birthplace of Country Music Museum

Johnny Cash at the Carter Family Fold, Hiltons, Virginia

This photograph of Johnny Cash is full of energy – he’s seen here dancing at the Carter Festival in Hiltons, Virginia. Photographer Robert Alexander gives some insight into the image:

“[This photograph was] taken in August 1977 at the 50th anniversary of the Bristol Recordings held at the Carter Fold. After performing with June Carter on stage, Johnny changed out of his black outfit into informal clothes and danced a bit with the festivalgoers. This particular photograph was taken moments before he did a 360 cartwheel in front of the stage. I missed that shot.”

The Carter Festival was originated by Janette Carter in 1975 as a memorial festival in honor of her father A. P. Carter and is held annually at the Carter Family Fold. Johnny Cash married Maybelle Carter’s daughter June in 1968, and they came often to the Carter Family Fold to perform and revel in the music made there.

Bill Mountjoy Collection, Birthplace of Country Music Museum

Photograph from WOPI scrapbook

Bill Mountjoy was a disc jockey, engineer, reporter, and executive for several radio stations in Northeast Tennesee, Southwest Virginia, and the Washington DC suburbs, including local station WOPI in Bristol. At the time of his death in April 2014, he owned Custom Audio/Video Services of Elizabethton, Tennessee.

We are fortunate to have Mr. Mountjoy’s scrapbook from his time at WOPI in our collections. It is full of wonderful memories and, like all scrapbooks, a few mysterious unlabeled photos, like this one from inside a lingerie store. Take a closer look at the banner and you can see that the store is running a “WOPI Special!” We don’t know what the radio station has to do with unmentionables, but we are intrigued… If you have any memories of this sale and can shed some light, let us know!

© Birthplace of Country Music, photographer: Haley Hensley

Boo Hanks and Dom Flemons at Bristol Rhythm & Roots Reunion

Boo Hanks, an acoustic guitarist with roots in Piedmont string band and blues traditions, learned the music he loved to play from his father and by listening to the records of Blind Boy Fuller. He passed away at the age of 87 on April 15, 2016. Hanks is seen here with his friend and musical collaborator Dom Flemons when they played together at Bristol Rhythm & Roots Reunion in 2015. This intimate shot hints at the close friendship between the two men.

Emily Robinson is the Collections Manager and René Rodgers is the Curator of Exhibits & Publications, both at the Birthplace of Country Music Museum.

Decisions, Decisions: From Twinkle in the Eye to Band at Bristol Rhythm

By Brent Treash, May 4, 2017

How does my band get booked for Bristol Rhythm & Roots Reunion?

This has to be one of the most popular questions I get when someone learns I’m on the music committee for the festival.

For the answer, let me pull you up a seat to the table and offer you a biscuit, because that’s the payment the nine members of the committee get for thousands of hours of listening to music, negotiating with agents, and handling special requests from bands during the festival. I’m not complaining. It’s a great biscuit.

Members of the Bristol Rhythm & Roots Reunion Music Committee enjoy the fruits of their labors during the 2016 festival. © Laken Fontaine

The individuals sitting around that table all have day jobs that pay the bills for our musical addictions. We’ve got a teacher, a lawyer, public relations experts, radio personalities, contractors, and more. Most of this group has been together for the better part of a decade – so we know each other’s likes and dislikes. I know when a band I’m pitching is going to make one-person nod in approval, and I know when I’m going to get pelted with jokes about the band being “just another guy with a guitar.” (Thanks, Randy.)

Let me be clear: the meetings may happen over biscuits on scheduled Saturdays but the conversations never seem to stop. It’s hard to recall the last time I didn’t have a Facebook message, email, or phone call from a band or someone connected to the festival.

But let’s head back to the table, where I bet you’re ready to dive into the main course: the headliners. It’s a big part of the festival – they are at the top of the poster after all! And they are the ones that we are continually asked to divulge by friends and family before the official reveal.

Finding those special two or three bands for the top of the poster is an intricate process. Lots of potential headliners get volleyed about during our discussions, and many factors, like budget and availability, come into play. It’s not easy to land those special artists that our fans want to see, and every year my heart breaks over the band that got away. Everything has to fall into place to make one of these big bookings happen, and we are always grateful when the stars align and allow us to bring artists like Emmylou Harris, Robert Randolph, Buddy Guy, Bela Fleck, Steve Earle, and Lucinda Williams to the festival.

The cost of music shocks many people, and some of the bands we would love to have would take our entire budget.  Amazing, Top 40, or even huge Americana acts and stadium bands deserve everything they’ve earned, and so we seek out those artists while they are on the way up. We’ve done this with bands like Old Crow Medicine Show, The Avett Brothers, the Carolina Chocolate Drops, and St. Paul & The Broken Bones, to name a few. It’s finding the next Avett Brothers or the next Carolina Chocolate Drops that keeps many of us going.

St. Paul & The Broken Bones performed at the festival in 2013 and 2014. © Birthplace of Country Music

I love going to shows or down internet rabbit holes in the search for new music. I can easily get lost in websites like Pandora, YouTube, and Spotify with no real idea where the journey started.

I also just love to ask questions. Who should I be listening to? What bands are other bands listening to? If you asked me which artist I’m most excited to see at the festival in 2017, the answer would be an up-and-coming singer-songwriter sent via Facebook Messenger by a friend. (Thanks, Greg.)

The author backstage at the Piedmont Stage. © Ed Stout

The reality of it all is that there is so much that goes into building a festival roster. I could go on and on about radius issues, backlines (I actively avoid stages where I know my help might be needed in carrying a piano), transportation, and about a dozen other things it takes to get a musician from a pitch at the table to performing on one of our 20 stages.

Yet what I think you most need to know is that we all take this very seriously. There is no glory. There is no plaque that comes with discovering that artist that breaks out each year at the festival.

We do this because we love Bristol. We do this because of our history.

We work hard to plan the musical soundtrack to the annual celebration of our roots, and we are always amazed and grateful that you all show up to see it. That’s the jelly on a fine buttermilk biscuit.

 

Brent Treash is this year’s Festival Chair and serves on the Bristol Rhythm & Roots Reunion Music Committee. May 4 is the “big reveal” of the Bristol Rhythm & Roots Reunion headliners, all the acts, and the festival poster so check out www.bristolrhythm.com to find out more!

Listen While I Tell: From Bristol’s Birthplace of Country Music and Beyond

Today is the first day of the Birthplace of Country Music blog. Welcome!

For those readers who are familiar with us, you probably already know quite a lot about the Birthplace of Country Music (BCM) in Bristol Tennessee/Virginia. But for those who might be meeting us for the first time with this blog, let me tell you a little bit about our organization. BCM celebrates, promotes, and preserves the history and legacy of the 1927 Bristol Sessions, historic recordings by Ralph Peer and the Victor Talking Machine Company that marked the beginnings of the commercial country music industry. You can read more about that history here.

BCM shares that history through our Smithsonian-affiliated Birthplace of Country Music Museum, our annual music festival – Bristol Rhythm & Roots Reunion – now in its 17th year, and our radio station, Radio Bristol. Each and every one of these branches bases their work on a huge amount of content – from the artifacts, images, history, and outreach in the museum to live performances and the musical heritage that make up the festival and radio programming.

Photos of museum visitors, a band onstage at the festival, and a dj on the air at wbcm radio bristol.
Scenes from the museum, festival, and radio station. © Birthplace of Country Music

And now we want to bring more of this content to you through our blog! The blog’s title – Listen While I Tell – is from the first verse of the song, “The Wreck of the Virginian,” recorded at the 1927 Bristol Sessions by Blind Alfred Reed.

Blind Alfred Reed
Songwriter, singer, and fiddler Blind Alfred Reed had one of the biggest hits of his career with the recording of “The Wreck of the Virginian.” Courtesy of Goldenseal Magazine

“Come all you brave, bold railroad men and listen while I tell
The fate of E. G. Aldrich, a good man we all loved well
This man was running on a road known as Virginian line
He was a faithful engineer and pulled his train on time.”

This song, describing a train wreck that happened near Ingleside, West Virginia, in May 1927, reflects a common theme in old-time and traditional music – songs that feature contemporary news stories, and specifically train wrecks. Now, while this blog is not all about train wreck songs, we loved how the “Listen while I tell” line from the song felt like a great introduction to the stories and posts we will share on this blog, and how it tied the blog firmly back to our content.

So what can you expect from Listen While I Tell? Our posts will bring you behind-the-scenes views into the work that we do each day at the museum, festival, and radio station; content-driven stories related to early country music history; features on instruments and musicians; explorations of the continuing music traditions in this region; and so much more.

This blog is not just for readers who already know the history – though we are excited to give those in-the-know readers even more interesting information. But we hope that this blog will also engage readers who don’t know much about us yet but who want to know more, hear more, and experience more! We want this blog to be a resource, for us and for our readers, and we want it to be a chance to gain a better understanding of our history and the music that made that history.

We are thrilled to get this chance to share our stories with a wider audience, to dig deeper into our history and content, and to pick out lesser known stories and quirky ways of looking at our heritage – all of which will hopefully make our readers as inspired, as engaged, and as ready to stomp their feet and clap their hands to the music as we are every single day at the Birthplace of Country Music.

Artistic renditions of the BCM logo on the streets during Bristol Rhythm & Roots Reunion
Artistic renditions of the BCM logo on the streets during Bristol Rhythm & Roots Reunion declare our tie to music history. © Birthplace of Country Music
René Rodgers is the Curator of Exhibits & Publications at the Birthplace of Country Music Museum.